German untitled nobility

Adolph Friedrich Erdmann von Menzel (8 December 1815 – 9 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century, and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.
His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin. Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.Although he traveled in order to find subjects for his art, to visit exhibitions, and to meet with other artists, Menzel spent most of his life in Berlin, and was, despite numerous friendships, by his own admission detached from others. It is likely that he felt socially estranged for physical reasons alone—he had a large head, and stood about four foot six inches (137 cm).

Theodor Gottlieb von Hippel (31 January 1741 – 23 April 1796) was a German satirical and humorous writer.
Hippel was born at Gerdauen in the Kingdom of Prussia, where his father was rector of a school. He enjoyed an excellent education at home, and in his sixteenth year he entered the University of Königsberg as a student of theology. Among his instructors was the philosopher Immanuel Kant, and the two became close friends. Interrupting his studies, he went, on the invitation of a friend, to St Petersburg, where he was introduced at the court of the empress Catherine II. Returning to Königsberg he became a tutor in a private family; but, falling in love with a young lady of high position, his ambition was aroused, and giving up his tutorship he devoted himself with enthusiasm to legal studies. He was successful in his profession, and in 1780 was appointed chief burgomaster in Königsberg, and in 1786 privy councillor of war and president of the town. As he rose in the world, however, his inclination for matrimony vanished, and the lady who had stimulated his ambition was forgotten. He died at Königsberg on 23 April 1796, leaving a considerable fortune.Hippel had extraordinary talents, rich in wit and fancy, but his was a character full of contrasts and contradictions. Cautiousness and ardent passion, dry pedantry and piety, morality and sensuality; simplicity and ostentation composed his nature and, hence, his literary productions never attained artistic finish. In his Lebenslaufe nach aufsteigender Linie (1778–81) he intended to describe the lives of his father and grandfather, but he eventually confined himself to his own. It is an autobiography, in which persons well known to him are introduced, together with a mass of heterogeneous reflections on life and philosophy. Kreuz- and Querzüge des Ritters A bis Z (1793–94) is a satire levelled against the follies of the age: ancestral pride and the thirst for orders, decoration and the like.Among others of his better known works were Über die Ehe (1774) and Über die bürgerliche Verbesserung der Weiber (1792). In the latter essay, Hippel argued that the natural traits of women make them superior for many tasks, especially education. According to Jane Kneller, Hippel's "central claim" in this essay is that "excluding women from the public square is a travesty of justice that prevents the advancement of humanity toward genuine civilization." Timothy F. Sellner has produced an English translation of this work under the title On Improving the Status of Women. Hippel was once called the fore-runner of Jean Paul, and had some resemblance to this author, in his constant digressions and in the interweaving of scientific matter in his narrative. Like Richter he was strongly influenced by Laurence Sterne. He never married.
In 1827–38 a collected edition of Hippel's works in 14 volumes was issued at Berlin. Über die Ehe was edited by Emil Brenning (Leipzig, 1872) and Gustav Moldenhauer (Leipzig, n.d. [c. 1905]), and the Lebenslaufe nach aufsteigender Linie, in a modernized edition by Alexander von Oettingen (1878), went through several editions. See J Czerny, Sterne, Hippel and Jean Paul (Berlin, 1904).

Adolf von Hildebrand (6 October 1847 – 18 January 1921) was a German sculptor.

Joseph Victor von Scheffel (16 February 1826 – 9 April 1886) was a German poet and novelist.

Karin Anny Hannelore Reinbold von Aroldingen (9 September 1941 – 5 January 2018) was a German ballet dancer. She danced as a soloist at the Frankfurt Opera Ballet before joining the New York City Ballet in 1962 after receiving a personal invitation from George Balanchine. She was named as one of Balanchine's main beneficiaries in his will. Von Aroldingen retired from New York City Ballet in 1984, having reached the rank of principal dancer in 1972. In her later life, she worked as a répétiteur for the Balanchine Trust, for which she was also a founder, staging his ballets for various companies.