Miguel Llobet Solés (18 October 1878 – 22 February 1938) was a classical guitarist, born in Barcelona, Spain. Llobet was a renowned virtuoso who toured Europe and America extensively. He made well known arrangements of Catalan folk songs for the solo guitar, made famous arrangements for the guitar of the piano compositions of Isaac Albéniz, arrangements immortalized by Andrés Segovia, and was also the composer of original works.
Ricardo Castro Herrera (Rafael de la Santísima Trinidad Castro Herrera) (7 February 1864 – 27 November 1907) was a Mexican concert pianist and composer, considered the last romantic of the time of Porfirio Díaz.
Gerónimo Giménez y Bellido (10 October 1854 – 19 February 1923) was a Spanish conductor and composer, who dedicated his career to writing zarzuelas, such as La tempranica and La boda de Luis Alonso. He preferred to spell his first name with a "G", even though his name at birth officially began with a "J".
Written in Spanish, a very comprehensive biographical exposition by Ascensión García de las Mozas may be found at the Universidad de Cádiz institutional repository of Research and Learning Objects (RODIN)
https://rodin.uca.es/bitstream/handle/10498/7788/33195031.pdf?sequence=1
Felip Pedrell Sabaté (Spanish: Felipe) (19 February 1841 – 19 August 1922) was a Catalan composer, guitarist and musicologist.
Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.
Antonino Gandolfo Brancaleone (24 April 1820, in Catania – 6 June 1888, in Catania) was an Italian composer. His masterpiece was Il Sultano (1851).
August Wilhelm Bach (4 October 1796 – 15 April 1869), was a German composer and organist, from Berlin.He studied with his father, Gottfried, as well as with Carl Friedrich Zelter and Ludwig Berger as well as at the Singing Academy in Berlin. In 1816 he served as an organist at St Mary's Church and from 1820 he taught organ and music theory at the Institute of Church Music set up by Zelter. In 1832, Bach succeeded Zelter as the director of the Royal Institute of Church Music in Berlin. He also taught at the Prussian Academy of Arts. His compositions largely consist of sacred works and works for keyboard. He also wrote a pipe organ method and a hymnbook.
He is unrelated to the family of Johann Sebastian Bach.
Flor Alpaerts (Antwerp, 12 September 1876 – Antwerp, 5 October 1954) was a Belgian conductor, pedagogue and composer. He graduated from the Vlaamse Muziekschool in 1901.
He was artistic director of the Peter Benoit Foundation, co-director of the Royal Flemish Opera and a member of the Royal Academy of Belgium. As a composer he became the leading Flemish impressionist, with the symphonic poem Pallieter (1921-1924).
Alpaerts left behind an extensive body of work. He first composed in an impressionist style, later expressionist, and finally neo-classical. He drew his inspiration from Flemish life. Peter Benoit was his great model, but he adapted Benoit's principles and gave Flemish music a modern mode of expression and a contemporary face.
He wrote above all for the symphony orchestra, but he also wrote incidental music, an opera, many Flemish songs, chamber music and work for brass bands and wind ensembles.
Notable students include the two composers, Denise Tolkowsky and Ernest Schuyten.
Adolphe-Léopold Danhauser (26 February 1835 – 9 June 1896) was a French musician, educator, music theorist and composer.
Waldemar Edler von Baußnern (also Baussnern or Bausznern; 29 November 1866 – 20 August 1931) was a German composer and music teacher.