19th-century French male musicians

Félicien-César David (13 April 1810 – 29 August 1876) was a French composer.

Gabriel Urbain Fauré (French: [ɡabʁi.ɛl yʁbɛ̃ foʁe]; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, he was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime.
Fauré's music has been described as linking the end of Romanticism with the modernism of the second quarter of the 20th century. When he was born, Chopin was still composing, and by the time of Fauré's death, jazz and the atonal music of the Second Viennese School were being heard. The Grove Dictionary of Music and Musicians, which describes him as the most advanced composer of his generation in France, notes that his harmonic and melodic innovations influenced the teaching of harmony for later generations. During the last twenty years of his life, he suffered from increasing deafness. In contrast with the charm of his earlier music, his works from this period are sometimes elusive and withdrawn in character, and at other times turbulent and impassioned.

Victor Charles Paul Dourlen (3 November 1780 – 8 January 1864) was a French composer and music teacher at the Conservatoire de Paris during the first half of the nineteenth century. He is primarily known as a theorist on account of his treatises on harmony, based on the methods of Charles Simon Catel, which were widely used as reference works, especially his Traité d'harmonie (c. 1838), the Traité d'accompagnement pratique (c. 1840), and his Méthode élémentaire pour le pianoforte (c. 1820).

Pablo Martín Melitón de Sarasate y Navascués (Spanish pronunciation: [ˈpaβlo saɾaˈsate]; 10 March 1844 – 20 September 1908), commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen (Gypsy Airs), the Spanish Dances, and the Carmen Fantasy.

Adolphe-Léopold Danhauser (26 February 1835 – 9 June 1896) was a French musician, educator, music theorist and composer.

Louis-Aimé Maillart (March 24, 1817 – May 26, 1871) was a French composer, best known for his operas, particularly Les Dragons de Villars and Lara.

Pierre Chrétien Degeyter (French: [pjɛʁ kʁetjɛ̃ də ɡetɛʁ], Flemish: [də ˈɣɛitər]; 8 October 1848 – 26 September 1932) was a Belgian-French socialist and a composer, known for writing the music of The Internationale.

André Alphonse Toussaint Wormser (1 November 1851 – 4 November 1926) was a French Romantic composer.

Louis Charles Bonaventure Alfred Bruneau (3 March 1857 – 15 June 1934) was a French composer who played a key role in the introduction of realism in French opera.

Paul Marie Théodore Vincent d'Indy (French: [vɛ̃sɑ̃ dɛ̃di]; 27 March 1851 – 2 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter.
D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence.