Year of death unknown

Boanerges_de_Souza_Massa

Boanerges de Souza Massa (born January 7, 1938 – disappeared June 21, 1972) was a Brazilian physician who joined the resistance against the military dictatorship. He was the field surgeon of the National Liberation Action (Portuguese: Ação Libertadora Nacional, ALN) founded by Carlos Marighella. After the police liquidated Marighella, he went to Cuba to take guerilla courses and co-founded the People's Liberation Movement (Portuguese: Movimento de Libertação Popular Brasileiro, MOLIPO). The army captured him in 1971 in Pindorama and he disappeared shortly thereafter. 25 years later, the Brazilian government officially acknowledged its responsibility.

Riccardo_Tolentino

Riccardo Tolentino was an Italian actor and film director of the silent era. He directed the 1917 Pushkin adaptation Wanda Warenine. In 1918, the same year of J. Searle Dawley's Uncle Tom's Cabin, he directed the Italian version La capanna dello zio Tom, with Paola Pezzaglia.

Louis_Le_Prince

Louis Aimé Augustin Le Prince (28 August 1841 – disappeared 16 September 1890, declared dead 16 September 1897) was a French artist and the inventor of an early motion-picture camera, and director of Roundhay Garden Scene. He was possibly the first person to shoot a moving picture sequence using a single lens camera and a strip of (paper) film. He has been credited as the "Father of Cinematography", but his work did not influence the commercial development of cinema—owing largely to the events surrounding his 1890 disappearance.A Frenchman who also worked in the United Kingdom and the United States, Le Prince's motion-picture experiments culminated in 1888 in Leeds, England. In October of that year, he filmed moving-picture sequences of family members in Roundhay Garden and his son playing the accordion, using his single-lens camera and Eastman's paper negative film. At some point in the following eighteen months he also made a film of Leeds Bridge. This work may have been slightly in advance of the inventions of contemporaneous moving-picture pioneers, such as the British inventors William Friese-Greene and Wordsworth Donisthorpe, and was years in advance of that of Auguste and Louis Lumière and William Kennedy Dickson (who did the moving image work for Thomas Edison).
Le Prince was never able to perform a planned public demonstration of his camera in the US because he mysteriously vanished; he was last known to be boarding a train on 16 September 1890. Multiple conspiracy theories have emerged about the reason for his disappearance, including: a murder set up by Edison, secret homosexuality, disappearance in order to start a new life, suicide because of heavy debts and failing experiments, and a murder by his brother over their mother's will. No conclusive evidence exists for any of these theories. In 2004, a police archive in Paris was found to contain a photograph of a drowned man bearing a strong resemblance to Le Prince who was discovered in the Seine just after the time of his disappearance, but it has been claimed that the body was too short to be Le Prince.In early 1890, Edison workers had begun experimenting with using a strip of celluloid film to capture moving images. The first public results of these experiments were shown in May 1891. However, Le Prince's widow and son Adolphe were keen to advance Louis's cause as the inventor of cinematography. In 1898, Adolphe appeared as a witness for the defence in a court case brought by Edison against the American Mutoscope Company. This suit claimed that Edison was the first and sole inventor of cinematography, and thus entitled to royalties for the use of the process. Adolphe was involved in the case but was not allowed to present his father's two cameras as evidence, although films shot with cameras built according to his father's patent were presented. Eventually the court ruled in favour of Edison. A year later that ruling was overturned, but Edison then reissued his patents and succeeded in controlling the US film industry for many years.

Jacques_Perret

Jacques Perret was a French architect in the service of the Catholic King Henry IV of France. He was a Huguenot, from the Savoie.
In July 1601, he published a sequence of 22 plates, engraved by Thomas de Leu, and a textual commentary, Des Fortifications et Artifices Architecture et Perspective. Perret offered his work, a series of ideal city plans with fortifications, to the service of the king.
The plans themselves are unremarkable as descendants of the Italian Renaissance penchant for radially symmetrical city design (e.g. Filarete's Sforzinda); what makes Perret's work noteworthy is the compulsive ornamentation of the city walls with biblical quotes, particularly from the psalms. His closest French Protestant predecessor was Bernard Palissy, better known for his work in ceramics, who includes a similar city in an appendix to his 1563 Recette véritable, a garden based on the psalms. Perret's choice of texts also favors the psalms, reinforcing his identity as a Protestant. One statement that shows up repeatedly is, "In God alone is there repose and true happiness," implying that worldly fortifications are useless even against worldly dangers. Several inscriptions carry variations on the theme of the king as God's delegated punisher of evil and protector of the good, an idea with a personal stake for the Calvinist Perret in a Catholic and often hostile France.