Vocation : Misc. : Crafts

Teri Suzanne (born August 18, 1948) is an American bilingual actress, freehand cut paper artist, author, children's songwriter, and creator of the first bilingual family theatre program and theatre group Performing Arts Group (P.A.G) at the Aoyama Theatre in Japan. She is also a producer of English and bilingual multi-media edutainment products, and edutainer with music labels and companies such as Nippon Columbia, Polygon Records, Crayola, Benesse, and SONY Suzanne is known for her television series English in Action produced through NHKsoftware for the Ministry of Science and Education. She was Head of the International Department at the National Children's Castle.The Tokyo Journal named her as one of 50 foreigners who have made a difference in Japan.

Gretchen Marie Quie (née Hansen; August 4, 1927 – December 13, 2015) was an American artist, painter, potter, writer, and advocate for the arts. Quie served as the First Lady of Minnesota from 1979 until 1983 during the administration of her husband, Governor Al Quie. As First Lady, Quie established the State Ceremonial Building Council to oversee the restoration of the Minnesota Governor's Residence. She also opened the Governor's Mansion to the general public through programs including, "Night at the Mansion," which chose Minnesotans through a lottery to spend the night at the residence. Al and Gretchen Quie invited a family of Vietnamese refugees to live at the Governor's Residence's renovated carriage house to encourage Minnesotans to sponsor more refugees.Her official manuscripts are housed in the collection of the Minnesota Historical Society.

Maria May (24 September 1900 - 28 October 1968) was a German textiles designer with commercial flair. The scope of her output also embraced other forms of large-format wall art such as mosaics and posters. High-profile commissions included the large mosaic, "Tiefsee" ("Deep sea") she produced for the ball room of newly built ocean liner SS Bremen (1928) and a large set of sprayed silk wall tapestries that she produced in collaboration with Otto Arpke for the cabin interiors of the LZ 129 Hindenburg airship. Between 1956 and 1966 she served as head of the "Meisterschule für Mode" (Fashion Academy) in Hamburg.

Nicario Jiménez Quispe (born in 1957) is a Peruvian-American retablo maker. He was born in the village of Alcamenca in Ayacucho, Peru, high in the Andes mountain range. He makes traditional Andean altarpieces, small wooden boxes filled with figures, animals and other objects that tell a story. Spanish priests used them to teach about the Catholic saints. He is a third generation retablo artist and learned the tradition from his father and grandfather. He also studied sculpture at several universities in Peru. The main altarpieces represent religious, historical and everyday life events. They can be humorous or political. His works are based on their pre-Hispanic Andean art and family influences. In 2012, he was the recipient of a Florida Folk Heritage Award.His altarpiece figurines are made by hand with a mix of boiled potato and gypsum powder. His work has appeared in major museum exhibitions, including the Smithsonian Institution where they are part of the permanent collection. Nicario has taught at universities and international conferences, and his work is in many prestigious art collections. Jimenez is now living in Naples, Florida, where he creates retablos that feature different stories of the struggles of Latino immigrants and scenes of Hispanic neighborhoods in South Florida. Through his works, Nicario Jimenez, the "artist of the Andes," has shared the art form of the altarpiece with audiences around the world.

Harold Jon "Jack" Hicks was a sculptor, who worked in the later part of the twentieth century. He was trained in ceramics and photography but excelled in metal sculpture.

Annette Corcoran (born 1930) is an American artist who was born in Inglewood, California. She earned a B.A. from the University of California, Berkeley in 1952, and continued post-graduate studies at California State University, Long Beach, California Polytechnic State University, Saddleback College, and the College of Marin.She worked as a graphic artist for 15 years before turning to ceramics. She then spent 25 years making ceramic teapots. Although originally functional, they evolved into non-functional works of art.Anhinga, in the collection of the Honolulu Museum of Art, is typical of her teapots, which usually incorporate birds into the design. It is made of hand-built porcelain, employing both underglazes and overglazes. The Everson Museum of Art (Syracuse, New York), the Honolulu Museum of Art, the Los Angeles County Museum of Art, and the National Museum of Ceramic Art (Baltimore, Maryland), the Philadelphia Museum of Art, and the Racine Art Museum (Racine, Wisconsin) are among the public collections holding work by Annette Corcoran.

Mary Louise Boehm (July 25, 1924 – November 29, 2002) was an American pianist and painter.
A descendant of Joseph Boehm, a piano-maker active in Vienna during the early 19th century, Mary Louise Boehm was born in Sumner, Iowa, and soon proved to be a child prodigy. She studied with Louis Crowder at Iowa State Teachers College (now the University of Northern Iowa) and subsequently with Robert Casadesus and Walter Gieseking.Boehm's repertoire and recorded output was notable for works by American composers such as Amy Beach and Ernest Schelling, who are far from mainstream, even now. She also performed and made premiere recordings of works by several early romantic composers such as John Field, Johann Nepomuk Hummel, Johann Peter Pixis, Ignaz Moscheles and Friedrich Kalkbrenner. Her advocacy introduced a generation of music lovers to these neglected composers. She was also interested in performance on period instruments at a time when this was rare.
From the 1960s she began painting, working in oils, watercolor and inks. While on concert tours in South America she became interested in textiles, which led to her involvement with weaving, textile design and the complicated field of dye and color chemistries. Eventually she chose batik as a painterly textile medium. She studied the traditional Indonesian batik techniques and pioneered modern adaptations, and had major shows in the United States.She married the Dutch violinist Kees Kooper with whom she performed regularly. In 2002 she died in Spain. Her sister Pauline Boehm Haga was also a pianist; the Grand Sonata Op. 112 by Moscheles was recorded by the sisters together.

Kenneth Robert Howard (September 7, 1929–September 19, 1992), also known as Dutch, Von Dutch, or J. L. Bachs (Joe Lunch Box), was an American motorcycle mechanic, artist, pin striper, metal fabricator, knifemaker and gunsmith.

David Weidman (June 28, 1921 – August 6, 2014) was an American animator, animation artist and silkscreen print artist known for his mid-century modern works, including posters, prints and ceramics. Weidman began his career in animation as a background artist during the 1950s and 1960s. During his later life, Weidman's silkscreens were featured in the sets of the AMC television series, Mad Men, which revived interest in his work. In 2010, the Los Angeles Times referred to Weidman as possibly "the most famous unknown artist."Weidman was born in the Belvedere Gardens section of present-day East Los Angeles on June 28, 1921. He initially attended Garfield High School, but transferred to Manual Arts High School to focus on an art career. He received a scholarship to Otis Art Institute, but never attended because of the outbreak of World War II, which led to his enlistment in the United States Navy. He used the GI Bill to enroll at Jepson Art Institute following the war. He met his future wife, Dorothy, at Jepson, where she was a silkscreen instructor. The couple married in 1953.Weidman began his career with animator John Hubley. He then became a background artist and painter at United Productions of America, better known as UPA. He is credited with helping UPA develop the "distinctive modern style" which became a hallmark of the animation studio's productions. His television series and special credits with UPA animation included The Famous Adventures of Mr. Magoo, The Gerald McBoing-Boing Show and Mister Magoo's Christmas Carol (1962). Aside from his work at UPA, Weidman also worked on television shorts for Crusader Rabbit, Popeye, and Fractured Fairy Tales.David Weidman briefly left animation after to focus on silkscreening after becoming frustrated with a group-centered animation process. Weidman developed a blotting process to create original works. In a 2013 interview with Greater Long Beach, he described how he utilized pictures of objects or blocks of color with "varying degrees of transparency." His prints often mimic the backdrops he painted for 1960s era animated cartoons. He opened a small gallery and workshop located behind a liquor store on La Cienega Boulevard in Los Angeles. He gained a corporate clientele, who used his prints in hotels and other public buildings. However, he disliked having to tailor his work, telling Find Art in a 2014 interview, "When clients began dictating to me the color and the subject, they took me off my rails." He created thousands of silkscreens, but few were purchased by collectors. Some works were priced as low as ten dollars. His printing shop gradually transformed into a custom framing business.Weidman returned to animation during the middle of the 1960s. He worked on Wacky Races and Dastardly and Muttley in Their Flying Machines for Hanna-Barbera. He also returned to UPA to work on Uncle Sam Magoo (1970), the last Mr. Magoo television special.While he continued to produce posters and ceramics for decades, Weidman stopped creating silkscreen prints around 1980 due to the work-intensive nature of the process. He did not begin creating new silkscreens again until his artwork was "discovered" or "rediscovered" circa 2008 when he was well into his 80s.Interest in Weidman's pieces were revived with the premiere of Mad Men, which first aired in 2007. Mad Men's set designer, Claudette Didul, is quoted in an article by David A. Keeps of the Los Angeles Times, "The style is very distinctive and indicative of that era and the popularity of Danish modern...They remind me of pictures I saw growing up and seemed in keeping with Peggy's sensibilities and reflect her younger and somewhat more cheerful outlook." Weidman's work was used to colorfully decorate the set in Peggy Olson's office and other rooms in the fictional 1960s ad agency.The inclusion of Weidman's prints in Mad Men led to new opportunities. Urban Outfitters licensed a line of pillows emblazon with Weidman's mid-century art. In 2008, Steven Kurutz, a writer for The New York Times published a book on the artist and his work, "The Whimsical Works of David Weidman" through Gingko Press. A retrospective of his work opened on June 28, 2014, at the Weidman Gallery, now located on Melrose Avenue. Weidman attended the opening of exhibition, which ran until July 31, 2014.David Weidman died of congestive heart failure at his home in the Highland Park neighborhood of Los Angeles on August 6, 2014, at the age of 93. He had lived with his wife and family in the home since they built it in the 1950s. He was survived by his wife, Dorothy Weidman, whom he married in 1953, and three children, Lenna Weidman, Josh Weidman and Troy Weidman.

Jean Adrien Philippe (April 16, 1815, La Bazoche-Gouet, Eure-et-Loir – January 5, 1894) was a French horologist and cofounder of watchmaker Patek Philippe & Co. of Geneva, Switzerland.In 1842, Adrien Philippe invented a mechanism for watches which allowed them to be wound and set by means of a crown rather than a key. His patented invention earned him a Bronze Medal at the French Industrial Exposition of 1844 (World's Fair). At the Exhibition, Adrien Philippe first met Antoni Patek and a year later became head watchmaker at Patek & Co. in Geneva under an agreement that entitled him to one third of all company profits.
Adrien Philippe proved to be very capable at his craft and a product innovator whose value to the firm was such that by 1851 he was made a full partner and the firm began operating as Patek Philippe & Co. In 1863 he published a book in Geneva and Paris on the workings of pocket watches titled Les montres sans clef.
In 1875, Adrien Philippe commissioned a watch that he later gave his daughter, Louise, as a wedding present, which is known as the only wristwatch dating back to be owned by either Patek or Philippe. This historical watch is known as “The Watchmaker’s Daughter” and was auctioned at Sotheby’s in 2023 by the descendants of Adrien Philippe. The watch was purchased most probably by the Patek Philippe Museum though this is not confirmed and may be owned by a private collector. The wedding between Louise and Joseph Antoine Bénassy-Philippe that the watch was presented at is noted as the wedding that saved Patek Philippe by providing the company a much needed successor to Antoni Patek for the company to survive the founding generation.
His partner Antoni Patek died in 1877 and in 1891 the 76-year-old Adrien Philippe handed over the day-to-day management of the business to his son Joseph Emile Philippe and Francois Antoine Conty.Jean Adrien Philippe died in 1894 and was buried in St-Georges Cemetery in Geneva.