American printmakers

John_Wesley_(artist)

John Wesley (November 25, 1928 – February 10, 2022) was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.Early on, art critics categorized Wesley as a Pop artist, due to his appropriation of the visual language and, at times, iconography of popular culture. Later critics, however, regarded him as an art outsider whose work eluded categorization, noting among other things, his psychological plumbing of a (largely male) American unconscious, formal affinities with abstraction, and wide-ranging art-historical borrowings. Artforum's Jenifer Borum described Wesley's work as combining "a Pop vocabulary, a refined Minimal sensibility, and a surrealistic proclivity for uncanny juxtapositions," while Dave Hickey likened him to an eighteenth-century Rococo "fabulist," citing his penchant for erotic narrative.Wesley's work has been exhibited at the Whitney Museum of American Art, MoMA PS1, Stedelijk Museum Amsterdam, Portikus (Frankfurt), and the Chinati Foundation, among others. It belongs to public art collections including the Museum of Modern Art, Museum of Contemporary Art, Los Angeles, and Whitney Museum. In 1976, he was awarded a Guggenheim Fellowship.

David_Weidman

David Weidman (June 28, 1921 – August 6, 2014) was an American animator, animation artist and silkscreen print artist known for his mid-century modern works, including posters, prints and ceramics. Weidman began his career in animation as a background artist during the 1950s and 1960s. During his later life, Weidman's silkscreens were featured in the sets of the AMC television series, Mad Men, which revived interest in his work. In 2010, the Los Angeles Times referred to Weidman as possibly "the most famous unknown artist."Weidman was born in the Belvedere Gardens section of present-day East Los Angeles on June 28, 1921. He initially attended Garfield High School, but transferred to Manual Arts High School to focus on an art career. He received a scholarship to Otis Art Institute, but never attended because of the outbreak of World War II, which led to his enlistment in the United States Navy. He used the GI Bill to enroll at Jepson Art Institute following the war. He met his future wife, Dorothy, at Jepson, where she was a silkscreen instructor. The couple married in 1953.Weidman began his career with animator John Hubley. He then became a background artist and painter at United Productions of America, better known as UPA. He is credited with helping UPA develop the "distinctive modern style" which became a hallmark of the animation studio's productions. His television series and special credits with UPA animation included The Famous Adventures of Mr. Magoo, The Gerald McBoing-Boing Show and Mister Magoo's Christmas Carol (1962). Aside from his work at UPA, Weidman also worked on television shorts for Crusader Rabbit, Popeye, and Fractured Fairy Tales.David Weidman briefly left animation after to focus on silkscreening after becoming frustrated with a group-centered animation process. Weidman developed a blotting process to create original works. In a 2013 interview with Greater Long Beach, he described how he utilized pictures of objects or blocks of color with "varying degrees of transparency." His prints often mimic the backdrops he painted for 1960s era animated cartoons. He opened a small gallery and workshop located behind a liquor store on La Cienega Boulevard in Los Angeles. He gained a corporate clientele, who used his prints in hotels and other public buildings. However, he disliked having to tailor his work, telling Find Art in a 2014 interview, "When clients began dictating to me the color and the subject, they took me off my rails." He created thousands of silkscreens, but few were purchased by collectors. Some works were priced as low as ten dollars. His printing shop gradually transformed into a custom framing business.Weidman returned to animation during the middle of the 1960s. He worked on Wacky Races and Dastardly and Muttley in Their Flying Machines for Hanna-Barbera. He also returned to UPA to work on Uncle Sam Magoo (1970), the last Mr. Magoo television special.While he continued to produce posters and ceramics for decades, Weidman stopped creating silkscreen prints around 1980 due to the work-intensive nature of the process. He did not begin creating new silkscreens again until his artwork was "discovered" or "rediscovered" circa 2008 when he was well into his 80s.Interest in Weidman's pieces were revived with the premiere of Mad Men, which first aired in 2007. Mad Men's set designer, Claudette Didul, is quoted in an article by David A. Keeps of the Los Angeles Times, "The style is very distinctive and indicative of that era and the popularity of Danish modern...They remind me of pictures I saw growing up and seemed in keeping with Peggy's sensibilities and reflect her younger and somewhat more cheerful outlook." Weidman's work was used to colorfully decorate the set in Peggy Olson's office and other rooms in the fictional 1960s ad agency.The inclusion of Weidman's prints in Mad Men led to new opportunities. Urban Outfitters licensed a line of pillows emblazon with Weidman's mid-century art. In 2008, Steven Kurutz, a writer for The New York Times published a book on the artist and his work, "The Whimsical Works of David Weidman" through Gingko Press. A retrospective of his work opened on June 28, 2014, at the Weidman Gallery, now located on Melrose Avenue. Weidman attended the opening of exhibition, which ran until July 31, 2014.David Weidman died of congestive heart failure at his home in the Highland Park neighborhood of Los Angeles on August 6, 2014, at the age of 93. He had lived with his wife and family in the home since they built it in the 1950s. He was survived by his wife, Dorothy Weidman, whom he married in 1953, and three children, Lenna Weidman, Josh Weidman and Troy Weidman.

Ray_H._French

Ray H. French (May 16, 1919 – April 21, 2000) was an American printmaker, painter, sculptor and artistic innovator. He attended the John Herron School of Art and received his Bachelors and Masters of Fine Arts at the University of Iowa under professor and artist Mauricio Lasansky. While French studied, traveled, and exhibited nationally and internationally, he remained dedicated to his home state of Indiana, which served as a strong artistic inspiration to him. In addition to his artistic career, French was also on the faculty of DePauw University from 1948 to 1984. Following his retirement from university service, French continued to create artwork in his private studio until his death in Greencastle, Indiana.

Virginia_A._Myers

Virginia A. Myers (8 May 1927 – 7 December 2015) was an American artist, professor, and inventor. She was born in Greencastle, Indiana, and grew up with her parents and younger sister mostly in Cleveland, Ohio, where her father taught at various colleges and schools.
She studied at George Washington University and the Corcoran School of Art in Washington, D.C., and received her B.A. in drawing and painting in 1949. Then, in 1951 she went on to earn an M.F.A. in Painting from The California College of Arts and Crafts, Oakland. Myers completed post-graduate work at the University of Illinois (Urbana) and in 1955 came to the University of Iowa to study printmaking with Mauricio Lasansky. From 1961 to 1962, Myers studied in Paris at Atelier 17 with Stanley William Hayter under a Fulbright Scholarship.
To supplement her income while completing post-graduate work in Iowa, Myers learned how to gild picture frames with silver lead. This work inspired her to incorporate silver and gold leaf in her intaglio prints.In 1962 Myers became an instructor at the University of Iowa, where she taught printmaking classes in the School of Art and Art History - she was the only woman teaching studio courses at this time. Myers would go on to earn a faculty position at the University of Iowa. In 1985 Myers attended a seminar taught by Glenn. E Hutchinson (President of Universal Stamping and Embossing Company). From this seminar, Myers learned of foil stamping and began to more seriously pursue this aspect of her artistic practice.
Myers taught intaglio printmaking and foil imaging, made possible by her invention of the Iowa Foil Printer, which makes use of the commercial foil stamping process. After the invention of the press, she worked in conjunction with community members and students to improve and document the printmaking process of foil stamping using the Iowa Foil Press, and they collectively produced a book, Foil Imaging...A New Art Form, in 2001.
She presented in more than 100 one-person exhibitions in the United States and abroad, and participated in more than 150 juried exhibitions and traveling shows nationally and internationally. Her work is included in collections at the National Museum of Women in the Arts, Washington, D.C.; the Toledo Museum of Art, Toledo, Ohio; and the Des Moines Art Center, Des Moines, Iowa, among others.

William_T._Wiley

William Thomas Wiley (October 21, 1937 – April 25, 2021) was an American artist. His work spanned a broad range of media including drawing, painting, sculpture, film, performance, and pinball. At least some of Wiley's work has been referred to as funk art.

David_Gilhooly

David Gilhooly (also known as David James Gilhooly III) (April 15, 1943 – August 21, 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures.