Painters from New York City

Ethel Fisher (née Blankfield; 1923–2017) was an American painter whose career spanned more than seven decades in New York City, Miami and Los Angeles. Her work ranges across abstraction and representational genres including large-scale portraiture, architectural "portraits," landscape and still-life, and is unified by a sustained formal emphasis on color and space. After studying at the Art Students League in the 1940s, Fisher found success as an abstract artist in Florida in the late 1950s, and began exhibiting her work nationally and in Havana, Cuba. Her formative work of this period embraced the history of art, architecture and anthropology; she referred to it as "abstract impressionist" to distinguish her approach to form and color from that of Abstract Expressionism.
Fisher is best known for her portraits of fellow artists from the 1960s, and for grid-like, architectural paintings of the facades of urban cast-iron buildings, from the 1970s. Her figurative work employs color fields and architectural details as abstract shapes to create tension between her subjects and their surroundings and impart psychological depth. Her later, carefully rendered interiors and still lifes often include reproductions of works by well-known artists.Fisher's work was written about in The New York Times, Los Angeles Times, ARTnews and Artweek, and belongs to the public collections of the Los Angeles County Museum of Art (LACMA) and Crocker Art Museum, among others. She died in Pacific Palisades, Los Angeles in 2017, at age 94.

Lawrence "Larry" Zox (May 31, 1937 – December 16, 2006) was an American painter and printmaker who is classified as an Abstract expressionist, Color Field painter and a Lyrical Abstractionist, although he did not readily use those categories for his work.

John Wesley (November 25, 1928 – February 10, 2022) was an American painter, known for idiosyncratic figurative works of eros and humor, rendered in a precise, hard-edged, deadpan style. Wesley's art largely remained true to artistic premises that he established in the 1960s: a comic-strip style of flat shapes, delicate black outline, a limited matte palette of saturated colors, and elegant, pared-down compositions. His characteristic subjects included cavorting nymphs, nudes, infants and animals, pastoral and historical scenes, and 1950s comic strip characters in humorously blasphemous, ambiguous scenarios of forbidden desire, rage or despair.Early on, art critics categorized Wesley as a Pop artist, due to his appropriation of the visual language and, at times, iconography of popular culture. Later critics, however, regarded him as an art outsider whose work eluded categorization, noting among other things, his psychological plumbing of a (largely male) American unconscious, formal affinities with abstraction, and wide-ranging art-historical borrowings. Artforum's Jenifer Borum described Wesley's work as combining "a Pop vocabulary, a refined Minimal sensibility, and a surrealistic proclivity for uncanny juxtapositions," while Dave Hickey likened him to an eighteenth-century Rococo "fabulist," citing his penchant for erotic narrative.Wesley's work has been exhibited at the Whitney Museum of American Art, MoMA PS1, Stedelijk Museum Amsterdam, Portikus (Frankfurt), and the Chinati Foundation, among others. It belongs to public art collections including the Museum of Modern Art, Museum of Contemporary Art, Los Angeles, and Whitney Museum. In 1976, he was awarded a Guggenheim Fellowship.

Samuel Felrath Hines Jr. (November 9, 1913 – October 3, 1993) was an African American visual artist and art conservator. Hines served as a conservator at several institutions, including the Hirshhorn Museum and Sculpture Garden in Washington, D.C., and his paintings can be found in the collection of the Smithsonian American Art Museum.

Alexander Cañedo (December 26, 1902 – February 1, 1978) was a Mexican-American artist who was part of the surrealism and magic realism art movements of the mid-20th century.

Giorgio Cavallon (March 3, 1904 – December 22, 1989) was a founding member of the American Abstract Artists and a pioneer Abstract Expressionist.

Paul Jenkins (July 12, 1923 – June 9, 2012) was an American abstract expressionist painter.

John Koch (August 18, 1909 — April 19, 1978), (pronounced "KŌK") was an American painter and teacher, and an important figure in 20th century Realism. He is best known for his light-filled paintings of urban interiors, often featuring classical allusions, many set in his own Manhattan apartment.His work is in the collections of prominent American museums, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Whitney Museum of American Art, the Brooklyn Museum, the Museum of Fine Arts, Boston, and many others.

Don Eddy (born 1944) is a contemporary representational painter. He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material. Critics such as Donald Kuspit (as well as Eddy himself) have resisted such labels as superficially focused on obvious aspects of his painting while ignoring its specific sociological and conceptual bases, dialectical relationship to abstraction, and metaphysical investigations into perception and being; Kuspit wrote: "Eddy is a kind of an alchemist … [his] art transmutes the profane into the sacred—transcendentalizes the base things of everyday reality so that they seem like sacred mysteries." Eddy has worked in cycles, which treat various imagery from different formal and conceptual viewpoints, moving from detailed, formal images of automobile sections and storefront window displays in the 1970s to perceptually challenging mash-ups of still lifes and figurative/landscapes scenes in the 1980s to mysterious multi-panel paintings in his latter career. He lives in New York City with his wife, painter Leigh Behnke.