French male classical composers

Andre_Caplet

André Caplet (23 November 1878 – 22 April 1925) was a French composer and conductor of classical music. He was a friend of Claude Debussy and completed the orchestration of several of Debussy's compositions as well as arrangements of several of them for different instruments.

Henri_Busser

Paul Henri Büsser (16 January 1872 – 30 December 1973) was a French classical composer, organist, conductor and teacher. Among his teachers were César Franck, Charles Gounod and Jules Massenet. In addition to his own compositions Büsser edited and orchestrated a wide range of music – mostly but not exclusively French – dating from the 17th to the 20th centuries. He was at various times in his career the conductor of the Paris Opéra and the Opéra-Comique, and professor of composition at the Conservatoire de Paris.

Leon_Boellmann

Léon Boëllmann (French pronunciation: [leɔ̃ bɔ.ɛlman]; 25 September 1862 – 11 October 1897) was a French composer, known for a small number of compositions for organ. His best-known composition is Suite gothique (1895), which is a staple of the organ repertoire, especially its concluding Toccata.

Benjamin_Godard

Benjamin Louis Paul Godard (18 August 1849 – 10 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera Jocelyn. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise.

Edmond_Audran

Achille Edmond Audran (12 April 1840 – 17 August 1901) was a French composer best known for several internationally successful comic operas and operettas.
After beginning his career in Marseille as an organist, Audran composed religious music and began to write works for the stage in the 1860s and 1870s. Among these, Le grand mogol (1877) was the most popular and was later revived in Paris, London and New York. In 1879 he moved to Paris, where some of his pieces achieved considerable success both in France and abroad, including Les noces d'Olivette (1879), La mascotte (1880), Gillette de Narbonne (1882), La cigale et la fourmi (1886), Miss Helyett (1890) and La poupée (1896).
Most of his works are now neglected, but La mascotte has been revived occasionally and has been recorded for the gramophone.