Use mdy dates from September 2018

Helen_Foster_Snow

Helen Foster Snow (September 21, 1907 – January 11, 1997) was an American journalist who reported from China in the 1930s under the name Nym Wales on the developing Chinese Civil War, the Korean independence movement and the Second Sino-Japanese War.
Snow's family moved often throughout her youth and she ended up living in Salt Lake City with her grandmother in her teenage years, until she decided to move to China in 1931. There, she married American journalist Edgar Snow and became a correspondent for several publications. While she and her husband were sympathetic to the revolutionaries in China, whom she compared favorably to the Nationalists under Chiang Kai-shek, she was never a card-carrying Communist.
While living in Beijing, the Snows befriended leftist leaders of the 1935 December 9th Movement, who arranged for first Edgar, then Helen to visit the communist wartime capital, Yan'an, in 1937, where she interviewed Chinese Communist leaders, including Mao Zedong. The Snows also conceptualized the Chinese Industrial Cooperatives, known as the Gung-Ho movement, which provided jobs and stability. In 1940, Snow returned to the United States, where she and Edgar divorced. She continued to support the Cooperatives and write books based on her experiences in China. In the late 1940s, critics grouped her with the China Hands as one of those responsible for the "loss of China" who went beyond sympathy to active support of Mao's revolution.

Ralph_Clanton

Ralph Woodward Clanton (September 11, 1914 – December 29, 2002) was an American character actor of film, stage, and television. His most seen performance was Comte De Guiche in the 1950 film Cyrano de Bergerac, the first sound version in English of Edmond Rostand's play, and the film for which José Ferrer won his only Academy Award for Best Actor. Besides Ferrer as Cyrano, Clanton was the only holdover from the cast of the 1946 Broadway revival of the play, and would play the role of De Guiche opposite him once more, in a New York City Center production in 1953.