20th-century classical composers

Ulysses_Kay

Ulysses Simpson Kay (January 7, 1917 in Tucson, Arizona – May 20, 1995 in Englewood, New Jersey) was an American composer. His music is mostly neoclassical in style.

Mario_Castelnuovo-Tedesco

Mario Castelnuovo-Tedesco (3 April 1895 – 16 March 1968) was an Italian composer, pianist and writer. He was known as one of the foremost guitar composers in the twentieth century with almost one hundred compositions for that instrument. In 1939 he immigrated to the United States and became a film composer for Metro-Goldwyn-Mayer for some 200 Hollywood movies for the next fifteen years. He also wrote concertos for Jascha Heifetz and Gregor Piatigorsky.

Othmar_Schoeck

Othmar Schoeck (1 September 1886 – 8 March 1957) was a Swiss Romantic classical composer, opera composer, musician, and conductor.
He was known mainly for his considerable output of art songs and song cycles, though he also wrote a number of operas, notably his one-act Penthesilea, which was premiered at the Semperoper in Dresden in 1927 and revived at the Lucerne Festival in 1999. He wrote a handful of instrumental compositions, including two string quartets and concertos for violin (for Stefi Geyer, dedicatee also of Béla Bartók's first concerto), cello and horn.

Hamish_MacCunn

Hamish MacCunn, né James MacCunn (22 March 1868 – 2 August 1916) was a Scottish composer, conductor and teacher.
He was one of the first students of the newly founded Royal College of Music in London, and quickly made a mark. As a composer he achieved early success with his orchestral piece The Land of the Mountain and the Flood (1887), and, later, his first opera, Jeanie Deans (1894). His subsequent compositions did not match those two successes, and although he continued to compose throughout his life, he became best known as a conductor and teacher. He held teaching appointments at the Royal Academy of Music and the Guildhall School of Music.
As a conductor MacCunn served as musical director to the Carl Rosa, Moody-Manners and D'Oyly Carte opera companies, and worked with Thomas Beecham in the latter's London opera seasons in 1910 and 1915 and on tour.