American conceptual artists

Ben Weiner (born November 10, 1980) is an American contemporary artist.
Weiner was born in Burlington, Vermont, and grew up in Dobbs Ferry, New York. He graduated from Wesleyan University in 2003 and completed an independent study in painting at the Universidad de las Americas Puebla, Mexico. In 2003, Weiner worked as an assistant in the studio of Jeff Koons.Blobs of paint can appear as organic terrains and hyperpigmented, trompe-l'œil manscapes. His paintings chart the evolving topologrqphy of his platelet, with the process creation of one painting generating source imagery for the next. Weiner's works weld glamour with the organic while reconsidering the cycle of nature and artificiality. His work also focuses on the daily experience of disassociation and imitation in the digital age, as well as the merging of object, subject and medium.Weiner's work has been included in exhibitions at The Aldrich Contemporary Art Museum, The Carnegie Art Museum (Oxnard, California), The Riverside Art Museum, and Artspace. His work is in collections including Sammlung Mondstudio (Germany), Progressive Insurance (Ohio), and the Frederick R. Weisman Foundation.Weiner also designed video projections for the interdisciplinary theatrical production of La Historia de Llorar por El by Ignacio Apolo.

William Thomas Wiley (October 21, 1937 – April 25, 2021) was an American artist. His work spanned a broad range of media including drawing, painting, sculpture, film, performance, and pinball. At least some of Wiley's work has been referred to as funk art.

Emmett Williams (4 April 1925 – 14 February 2007) was an American poet and visual artist. He was married to British visual artist Ann Noël.
Williams was born in Greenville, South Carolina, grew up in Virginia, and lived in Europe from 1949 to 1966. Williams studied poetry with John Crowe Ransom at Kenyon College, anthropology at the University of Paris, and worked as an assistant to the ethnologist Paul Radin in Switzerland.
As an artist and poet, Emmett Williams collaborated with Daniel Spoerri and German poet Claus Bremer in the Darmstadt circle of concrete poetry from 1957 to 1959. One of his notable pieces from this period is "Four-Directional Song of Doubt for Five Voices" (1957), in which five performers are each assigned one word of the phrase "You just never quite know", and say their word according to a grid on a card, keeping together with the beat of a metronome: when a black circle appears on the grid, the performer speaks the word, and when no circle appears they say nothing. In the resulting performance, the core phrase "you never quite know" is overshadowed by other combinations of words, such as "you know" and "quite just".In the 1960s, Williams was the European coordinator of Fluxus and worked closely with French artist Robert Filliou, and a founding member of the Domaine Poetique in Paris, France. His work appeared in 0 to 9 magazine, an avant-garde publication that experimented with language and meaning-making. Williams was friends with Václav Havel during his dissident years' he translated some of Havel's work into English. Williams was a guest artist in residence teaching at Mount Holyoke College from September 1975 to June 1976.
Williams' theater essays appeared in Das Neue Forum, Berner Blatter, Ulmer Theater, and other European magazines. He translated Daniel Spoerri's Topographie Anecdotee du Hasard (An Anecdoted Topography of Chance), collaborated with Claes Oldenburg on Store Days, and edited An Anthology of Concrete Poetry, all published by the Something Else Press, which was owned and managed by fellow Fluxus artist Dick Higgins. From the mid-1960s through the early 1970s Williams was Editor in Chief of the Something Else Press.
In 1991, Williams published an autobiography, My Life in Fluxus - And Vice Versa, published by Edition Hansjörg Mayer, Stuttgart, and reprinted the next year by Thames and Hudson.
In 1996, he was honored for his life work with the Hannah-Höch-Preis. He died in Berlin in 2007.
In 2014, Edition Zédélé published a reprint of SOLDIER (Reprint Collection, curated by Anne Moeglin-Delcroix and Clive Phillpot), first published in A Valentine for Noel (1973) by Something Else Press and Hansjörg Mayer.

Howard Fried (born June 14, 1946, in Cleveland, Ohio) is an American conceptual artist who became known in the 1970s for his pioneering work in video art, performance art, and installation art.He lives and works in Vallejo, California.

Michael Max Asher (July 15, 1943 – October 15, 2012) was a conceptual artist, described by The New York Times as "among the patron saints of the Conceptual Art phylum known as Institutional Critique, an often esoteric dissection of the assumptions that govern how we perceive art." Rather than designing new art objects, Asher typically altered the existing environment, by repositioning or removing artworks, walls, facades, etc.
Asher was also a highly regarded professor of art, who spent decades on the faculty at California Institute of the Arts. Cited by numerous successful artists as an important influence in their development, Asher's teaching has been described by British journalist Sarah Thornton as his "most influential" work.