Pages with French IPA

Jean-Baptiste Faure (French: [ʒɑ̃batist fɔʁ]) (15 January 1830 – 9 November 1914) was a French operatic baritone and art collector who also composed several classical songs.

Henri, vicomte de Bornier (French pronunciation: [ɑ̃ʁi də bɔʁnje]; 25 December 1825, Lunel – 28 January 1901, Paris) was a French poet and dramatist.

Edmond Louis Antoine Huot de Goncourt (pronounced [ɛdmɔ̃ də ɡɔ̃kuʁ]; 26 May 1822 – 16 July 1896) was a French writer, literary critic, art critic, book publisher and the founder of the Académie Goncourt.

Édouard Albert Roche (French: [edwaʁ albɛʁ ʁɔʃ]; 17 October 1820 – 27 April 1883) was a French astronomer and mathematician, who is best known for his work in the field of celestial mechanics. His name was given to the concepts of the Roche sphere, Roche limit, and Roche lobe. He also was the author of works in meteorology.

Charles Nègre (French: [nɛɡʁ]; 9 May 1820 – 16 January 1880) was a pioneering photographer, born in Grasse, France. He studied under the painters Paul Delaroche, Ingres and Drolling before establishing his own studio at 21 Quai Bourbon on the Île Saint-Louis, Paris.
Delaroche encouraged the use of photography as research for painting; Nègre started with the daguerreotype process before moving on to calotypes. His "Chimney-Sweeps Walking", an albumen print taken on the Quai Bourbon in 1851, may have been a staged study for a painting, but is nevertheless considered important to photographic history for its being an early instance of an interest in capturing movement and freezing it forever in one moment.Having been passed over for the Missions Héliographiques which commissioned many of his peers, Nègre independently embarked on his own remarkably extensive study of the Midi region. The interesting shapes in his 1852 photograph of buildings in Grasse have caused it to be seen as a precursor to art photography. In 1859, he was commissioned by Empress Eugénie to photograph the newly established Imperial Asylum in the Bois de Vincennes, a hospital for disabled workingmen.He used both albumen and salt print, and was known also as a skilled printer of photographs, using a gravure method of his own development. A plan commissioned by Napoleon III to print photographs of sculpture never came to fruition, and in 1861 Nègre retired to Nice, where he made views and portraits for holiday makers. He died in Grasse in 1880.

Victor Alexandre Puiseux (French: [pɥizø]; 16 April 1820 – 9 September 1883) was a French mathematician and astronomer. Puiseux series are named after him, as is in part the Bertrand–Diquet–Puiseux theorem. His work on algebraic functions and uniformization makes him a direct precursor of Bernhard Riemann, for what concerns the latter's work on this subject and his introduction of Riemann surfaces. He was also an accomplished amateur mountaineer. A peak in the French alps, which he climbed in 1848, is named after him.
A species of Israeli gecko, Ptyodactylus puiseuxi, is named in his honor.

Jean-Louis-Ernest Meissonier (French: [ʒɑ̃ lwi ɛʁnɛst mɛsɔnje]; 21 February 1815 – 31 January 1891) was a French Classicist painter and sculptor famous for his depictions of Napoleon, his armies and military themes. He documented sieges and manoeuvres and was the teacher of Édouard Detaille.
Meissonier enjoyed great success in his lifetime, and was acclaimed both for his mastery of fine detail and assiduous craftsmanship. The English art critic John Ruskin examined his work at length under a magnifying glass, "marvelling at Meissonier's manual dexterity and eye for fascinating minutiae".Meissonier's work commanded enormous prices and in 1846 he purchased a great mansion in Poissy, sometimes known as the Grande Maison. The Grande Maison included two large studios, the atelier d'hiver, or winter workshop, situated on the top floor of the house, and at ground level, a glass-roofed annexe, the atelier d'été or summer workshop. Meissonier himself said that his house and temperament belonged to another age, and some, like the critic Paul Mantz for example, criticised the artist's seemingly limited repertoire. Like Alexandre Dumas, he excelled at depicting scenes of chivalry and masculine adventure against a backdrop of pre-Revolutionary and pre-industrial France, specialising in scenes from seventeenth- and eighteenth-century life.

Charles Bernard Renouvier (French: [ʁənuvje]; 1 January 1815 – 1 September 1903) was a French philosopher. He considered himself a "Swedenborg of history" who sought to update the philosophy of Kantian liberalism and individualism for the socio-economic realities of the late nineteenth century, and influenced the sociological method of Émile Durkheim.

Antoine-Joseph "Adolphe" Sax (French: [ɑ̃twan ʒozɛf adɔlf saks]; 6 November 1814 – 7 February 1894) was a Belgian inventor and musician who invented the saxophone in the early 1840s, patenting it in 1846. He also invented the saxotromba, saxhorn and saxtuba, and redesigned the bass clarinet in a fashion still used to the present day. He played the flute and clarinet.

Jean-François Millet (French pronunciation: [ʒɑ̃ fʁɑ̃swa milɛ]; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, Conté crayon drawings, and etchings.