American film critics

Christopher Michael Stuckmann (born April 15, 1988) is an American filmmaker, YouTuber, author, and film critic.As one of the most popular film critics on YouTube, Stuckmann has over 2 million subscribers and over 748 million views on the platform as of February 2024. On review aggregation website Rotten Tomatoes, he is an approved critic and a member of the Critics Choice Association.In mid-2021, it was announced that Stuckmann had signed to write and direct his full feature debut Shelby Oaks with Paper Street Pictures and producer Aaron B. Koontz.

John McCarten (September 10, 1911, Philadelphia, Pennsylvania – September 25, 1974, New York City) was an American writer who contributed about 1,000 pieces for The New Yorker, serving as the magazine's film critic from 1945 to 1960 and Broadway theatre critic from 1960 to 1967.McCarten was born in Philadelphia into an Irish-American family. After serving in the Merchant Marine, he started writing for American Mercury, Fortune, and Time during the 1930s.In 1934, he joined The New Yorker and began contributing satirical short stories and irreverent profiles. He became the magazine's regular film critic in 1945, employing a writing style that tended to be terse and was often condescending. He gained a reputation as something of a nemesis of Alfred Hitchcock in particular, whose films McCarten regularly panned. The screenplay for the 1956 British romantic comedy film The Silken Affair was adapted from an idea by McCarten.In 1960, McCarten switched to theatre criticism, where he was no less tough; on one occasion, theatrical producer David Merrick had McCarten barred from the opening night of Do Re Mi.In July 1967, McCarten suddenly quit reviewing and moved to Ireland. The following year, he submitted the first of his "Irish Sketches", a series of light pieces about Irish art and culture that ran in The New Yorker between February 24, 1968, and November 20, 1971.

Davey Marlin-Jones (May 8, 1932 – March 2, 2004) was an American stage director, as well as a local television personality. He was born in Winchester, Indiana, and was known as a tireless advocate for the local stage and theatrical scene in the many places he lived during his long career.
From 1970 to 1987, he was a film and arts critic for WUSA-TV (formerly WTOP and WDVM), the CBS affiliate in Washington, DC. During much of that time, he also performed the same duties for WDIV-TV in Detroit. He was known for his eccentric on-air style in reviewing films and theatre and cultural events. One example of his style was the use of index cards when he reviewed films, and he would keep or throw away the card depending on whether he liked or hated the film. He enunciated with theatrical bravura and often wore large black-rimmed glasses and sometimes sported an Alpine hat.
After John and Hazel Wentworth, founders of the Washington Theater Club, divorced in the 1960s, he and Hazel Wentworth continued the Club's operations. He directed many of its performances. He was awarded the Jerome Lawrence and Robert E. Lee (Robert Edwin Lee) Theatre Research Margo Jones Award in 1968.Prior to his death, Marlin-Jones was a Professor of Theater and Playwriting for fifteen years at UNLV. In 1997 he won the "Excellence in Theatre Education Award" from the Board of Governors of the Kennedy Center American College Theater Festival. The American College Theater Festival Respondent's Choice Award has been renamed the "Davey Marlin Jones Respondent's Choice Award."

Carolyn See (née Laws; January 13, 1934 – July 13, 2016) was a professor emerita of English at the University of California, Los Angeles, and the author of ten books, including the memoir, Dreaming: Hard Luck and Good Times in America, an advice book on writing, Making a Literary Life, and the novels There Will Never Be Another You, Golden Days, and The Handyman. See was also a book critic for the Washington Post for 27 years.