20th-century American male artists

Horace Clifford Westermann (December 11, 1922 – November 3, 1981) was an American sculptor and printmaker. His sculptures frequently incorporated traditional carpentry and marquetry techniques. From the late 1950s until his death in 1981, Westermann worked with a number of materials and formal devices to address a range of personal, literary, artistic, and pop-cultural references. The artist's sculptural oeuvre is distinguished by its intricate craftsmanship, in which wood, metal, glass, and other materials are laboriously hand-tooled, and by its ability to convey an offbeat, often humorous, individualistic sensibility.
Westermann's sculptures reveal not only the influence of craft traditions, but also of varied art historical precedents. The artist's ability to convey subtle and uncanny effects through the presentation of seemingly simple objects has often led critics to compare his work to that of Surrealist-inspired artists such as Joseph Cornell. However, Westermann's work encompasses elements from a broad and diverse range of artistic practices, including Assemblage, Dada, and Folk Art. His sculptures, moreover, point to minimal and post-minimal art of the late 1960s and beyond, in terms of their rigorous craftsmanship, formal sophistication, unconventional use of materials, and sense of humor.

Melvin John Ramos (July 24, 1935 – October 14, 2018) was an American figurative painter, specializing most often in paintings of female nudes, whose work incorporates elements of realist and abstract art.Born in Sacramento, California, to a first generation Portuguese-Azorean immigrant family, he gained his popularity as part of the pop art movement of the 1960s. Ramos is "best known for his paintings of superheroes and voluptuous female nudes emerging from cornstalks or Chiquita bananas, popping up from candy wrappers or lounging in martini glasses". He was also a university art professor.

Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. His work has been internationally exhibited in galleries and museums and is held in public collections. He was one of the founders of the land art movement whose best known work is the Spiral Jetty (1970).

Giorgio Cavallon (March 3, 1904 – December 22, 1989) was a founding member of the American Abstract Artists and a pioneer Abstract Expressionist.

Richard Lippold (May 3, 1915 – August 22, 2002) was an American sculptor, known for his geometric constructions using wire as a medium.

Paul Jenkins (July 12, 1923 – June 9, 2012) was an American abstract expressionist painter.

Duane Hanson (January 17, 1925 – January 6, 1996) was an American artist and sculptor born in Minnesota. He spent most of his career in South Florida. He was known for his life-sized realistic sculptures of people. He cast the works based on human models in various materials, including polyester resin, fiberglass, Bondo, and bronze. Hanson's works are in the permanent collections of The Whitney Museum of American Art, The San Francisco Museum of Modern Art, and The Smithsonian.

John Koch (August 18, 1909 — April 19, 1978), (pronounced "KŌK") was an American painter and teacher, and an important figure in 20th century Realism. He is best known for his light-filled paintings of urban interiors, often featuring classical allusions, many set in his own Manhattan apartment.His work is in the collections of prominent American museums, including the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Whitney Museum of American Art, the Brooklyn Museum, the Museum of Fine Arts, Boston, and many others.

Don Eddy (born 1944) is a contemporary representational painter. He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material. Critics such as Donald Kuspit (as well as Eddy himself) have resisted such labels as superficially focused on obvious aspects of his painting while ignoring its specific sociological and conceptual bases, dialectical relationship to abstraction, and metaphysical investigations into perception and being; Kuspit wrote: "Eddy is a kind of an alchemist … [his] art transmutes the profane into the sacred—transcendentalizes the base things of everyday reality so that they seem like sacred mysteries." Eddy has worked in cycles, which treat various imagery from different formal and conceptual viewpoints, moving from detailed, formal images of automobile sections and storefront window displays in the 1970s to perceptually challenging mash-ups of still lifes and figurative/landscapes scenes in the 1980s to mysterious multi-panel paintings in his latter career. He lives in New York City with his wife, painter Leigh Behnke.

Ronald "Ron" Davis (born 1937) is an American painter whose work is associated with geometric abstraction, abstract illusionism, lyrical abstraction, hard-edge painting, shaped canvas painting, color field painting, and 3D computer graphics. He is a veteran of nearly seventy solo exhibitions and hundreds of group exhibitions.