American women poets

Helen Newington Wills (October 6, 1905 – January 1, 1998), also known by her married names Helen Wills Moody and Helen Wills Roark, was an American tennis player. She won 31 Grand Slam tournament titles (singles, doubles, and mixed doubles) during her career, including 19 singles titles.
Wills was the first American woman athlete to become a global celebrity, making friends with royalty and film stars despite her preference for staying out of the limelight. She was admired for her graceful physique and for her fluid motion. She was part of a new tennis fashion, playing in knee-length pleated skirts rather than the longer ones of her predecessors, and was known for wearing her hallmark white visor. Unusually, she practiced against men to hone her craft, and she played a relentless predominantly baseline game, wearing down her female opponents with power and accuracy. In February 1926 she played a high-profile and widely publicised match against Suzanne Lenglen which was called the Match of the Century.
Wills had a 180-match win streak from 1927 until 1933. In 1933, she beat the eighth-ranked US male player in an exhibition match. Her record of eight wins at Wimbledon was not surpassed until 1990 when Martina Navratilova won her ninth. She was said to be "arguably the most dominant tennis player of the 20th century", and has been called by some (including Jack Kramer, Harry Hopman, Mercer Beasley, Don Budge, and AP News) the greatest female player in history.

Louisa May Alcott (; November 29, 1832 – March 6, 1888) was an American novelist, short story writer, and poet best known for writing the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised in New England by her transcendentalist parents, Abigail May and Amos Bronson Alcott, she grew up among many well-known intellectuals of the day, including Margaret Fuller, Ralph Waldo Emerson, Nathaniel Hawthorne, Henry David Thoreau, and Henry Wadsworth Longfellow.Alcott's family suffered from financial difficulties, and while she worked to help support the family from an early age, she also sought an outlet in writing. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used pen names such as A. M. Barnard, under which she wrote lurid short stories and sensation novels for adults that focused on passion and revenge.Published in 1868, Little Women is set in the Alcott family home, Orchard House, in Concord, Massachusetts, and is loosely based on Alcott's childhood experiences with her three sisters, Abigail May Alcott Nieriker, Elizabeth Sewall Alcott, and Anna Alcott Pratt. The novel was well-received at the time and is still popular today among both children and adults. It has been adapted for stage plays, films, and television many times.
Alcott was an abolitionist and a feminist and remained unmarried throughout her life. She also spent her life active in reform movements such as temperance and women's suffrage. She died from a stroke in Boston on March 6, 1888, just two days after her father's death.

Ursula Kroeber Le Guin (née Kroeber; KROH-bər lə GWIN; October 21, 1929 – January 22, 2018) was an American author best known for her works of speculative fiction, including science fiction works set in her Hainish universe, and the Earthsea fantasy series. She was first published in 1959, and her literary career spanned nearly sixty years, producing more than twenty novels and over a hundred short stories, in addition to poetry, literary criticism, translations, and children's books. Frequently described as an author of science fiction, Le Guin has also been called a "major voice in American Letters". Le Guin said she would prefer to be known as an "American novelist".Le Guin was born in Berkeley, California, to author Theodora Kroeber and anthropologist Alfred Louis Kroeber. Having earned a master's degree in French, Le Guin began doctoral studies but abandoned these after her marriage in 1953 to historian Charles Le Guin. She began writing full-time in the late 1950s and achieved major critical and commercial success with A Wizard of Earthsea (1968) and The Left Hand of Darkness (1969), which have been described by Harold Bloom as her masterpieces. For the latter volume, Le Guin won both the Hugo and Nebula awards for best novel, becoming the first woman to do so. Several more works set in Earthsea or the Hainish universe followed; others included books set in the fictional country of Orsinia, several works for children, and many anthologies.
Cultural anthropology, Taoism, feminism, and the writings of Carl Jung all had a strong influence on Le Guin's work. Many of her stories used anthropologists or cultural observers as protagonists, and Taoist ideas about balance and equilibrium have been identified in several writings. Le Guin often subverted typical speculative fiction tropes, such as through her use of dark-skinned protagonists in Earthsea, and also used unusual stylistic or structural devices in books such as the experimental work Always Coming Home (1985). Social and political themes, including race, gender, sexuality, and coming of age were prominent in her writing. She explored alternative political structures in many stories, such as in the philosophical short story "The Ones Who Walk Away from Omelas" (1973) and the anarchist utopian novel The Dispossessed (1974).
Le Guin's writing was enormously influential in the field of speculative fiction, and has been the subject of intense critical attention. She received numerous accolades, including eight Hugos, six Nebulas, and twenty-four Locus Awards, and in 2003 became the second woman honored as a Grand Master of the Science Fiction and Fantasy Writers of America. The U.S. Library of Congress named her a Living Legend in 2000, and in 2014, she won the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin influenced many other authors, including Booker Prize winner Salman Rushdie, David Mitchell, Neil Gaiman, and Iain Banks. After her death in 2018, critic John Clute wrote that Le Guin had "presided over American science fiction for nearly half a century", while author Michael Chabon referred to her as the "greatest American writer of her generation".

Maggie Nelson (born 1973) is an American writer. She has been described as a genre-busting writer defying classification, working in autobiography, art criticism, theory, feminism, queerness, sexual violence, the history of the avant-garde, aesthetic theory, philosophy, scholarship, and poetry. Nelson has been the recipient of a 2016 MacArthur Fellowship, a 2012 Creative Capital Literature Fellowship, a 2011 NEA Fellowship in Poetry, and a 2010 Guggenheim Fellowship in Nonfiction. Other honors include the 2015 National Book Critics Circle Award in Criticism and a 2007 Andy Warhol Foundation/Creative Capital Arts Writers Grant.

April Bernard (born 1956) is an American poet. She was born and raised in New England, and graduated from Harvard University. She has worked as a senior editor at Vanity Fair, Premiere, and Manhattan, inc. In the early 1990s, she taught at Amherst College. In Fall 2003, she was Sidney Harman Writer-in-Residence at Baruch College. She currently teaches at Skidmore College in Saratoga Springs, New York. Her work has appeared in The New Yorker, the Boston Review, AGNI, Ploughshares, Parnassus, and The New York Review of Books.

Anne Stevenson (January 3, 1933 – September 14, 2020) was an American-British poet and writer and recipient of a Lannan Literary Award.

Joanna McClure (born November 10, 1930) is an American poet associated with the writers of the San Francisco Renaissance and the Beat Generation. According to author Brenda Knight, McClure wrote prolifically from the 1950s onward, filling dozens of artist's notebooks with poems and producing "as much writing as [Jack] Kerouac did, though she kept much of hers private."The child of Henry and Ramona Kinnison, McClure grew up on a ranch near Oracle, Arizona, north of Tucson. After the family lost the ranch during the Great Depression, McClure lived for a time in Tucson, then Hermosillo, Mexico, and Guatemala City, Guatemala, before returning to Tucson to study literature and history at the University of Arizona. She married Albert Hall, a chemist, in 1951, but the marriage ended in divorce. Still in Tucson, she met Michael McClure, a university student who later rose to prominence as a Beat poet. In 1954, she moved to San Francisco, involving herself in the Beat scene and befriending Miriam and Kenneth Patchen, Allen Ginsberg, Robert Duncan, Phillip Whalen, and other writers and artists. The McClures married in 1954, and their daughter, Jane, was born in 1956. The family moved briefly to New York City in the 1960s before returning to San Francisco, where Joanna pursued her interests in poetry and in early childhood education. The McClures later divorced but remain connected by poetry.

Ruth Stone (June 8, 1915 – November 19, 2011) was an award-winning American poet.

Musa Jane McKim Guston (née McKim; August 23, 1908 – March 30, 1992), was a painter and poet. Born in Oil City, Pennsylvania, McKim spent much of her youth in Panama. During the Great Depression, she worked under the Section of Fine Arts, painting murals in public buildings, including a Post Office building in Waverly, New York. She was the wife of New York School artist Philip Guston, whom she met while attending the Otis Art Institute. In cooperation with him, she painted a mural in a United States Forest Service building in Laconia, New Hampshire, and panels which were placed aboard United States Maritime Commission ships. After her painting career, she wrote poetry, publishing her work in small literary magazines. Along with her husband and daughter, she lived in Iowa City, Iowa and New York City, eventually settling in Woodstock, New York. Her younger sister was Olympic swimmer Josephine McKim (1910-1992).

Charlotte Zolotow (born Charlotte Gertrude Shapiro; June 26, 1915 – November 19, 2013) was an American writer, poet, editor, and publisher of many books for children. She wrote about 70 picture book texts.The writers she edited include Paul Fleischman, Paul Zindel, Mary Rodgers, Robert Lipsyte, and Francesca Lia Block.