20th-century French male artists

Armand_Séguin_(painter)

Armand Séguin (1869–1903) was a post-Impressionist French painter who is remembered for his involvement in the Pont-Aven School beginning in 1891. In 1892, he returned to Pont-Aven where he met Renoir and Émile Bernard. The following year, he associated with Paul Gauguin, who gave him lessons, and collaborated with Roderic O'Conor in producing etchings.He died in Châteauneuf-du-Faou at the age of 34, a destitute alcoholic who was suffering from tuberculosis.He was a grandson of chemist Armand Séguin.

Jacques_Raverat

Jacques Pierre Paul Raverat (pronounced Rav-er-ah) (20 March 1885 – 6 March 1925) was a French painter; Raverat was the son of Georges Pierre Raverat and Helena Lorena Raverat, née Caron; he was born in Paris, France, in 1885.
Raverat started at Bedales School in Steep, Hampshire in 1898. From Bedales, he went up to Jesus College, Cambridge.He married the English painter and wood engraver Gwen Darwin, in 1911, the daughter of George Darwin and Lady Maud Darwin, née Maud du Puy; she was a granddaughter of Charles Darwin. They had two daughters, Elisabeth (1916–2014), who married the Norwegian politician Edvard Hambro, and Sophie Jane (1919–2011) who married the Cambridge scholar M. G. M. Pryor and later Charles Gurney. Raverat suffered from a form of multiple sclerosis and died on 6 March 1925, following complications of it. His funeral took place in Christ Church in Cannes, France, where he may be buried.
Before moving, in 1920, to Vence in France the couple were active members of an intellectual circle known as the "Neo-Pagans" and centred on Rupert Brooke. They also moved on the fringes of the Bloomsbury Group, whose members included Virginia Woolf, John Maynard Keynes, Vanessa Bell and Lytton Strachey.
In 2004, his grandson, William Pryor edited the complete correspondence between Raverat, his wife and Virginia Woolf which was published as Virginia Woolf and the Raverats.

Boris_Taslitzky

Boris Taslitzky, sometimes Boris Tazlitsky (September 30, 1911 – December 9, 2005), was a French painter with left-wing sympathies, best known for his figurative depictions of some difficult moments in the history of the twentieth century. His work is considered as representative of Socialist realism in art in France.

Maurice_Marinot

Maurice Marinot (born 20 March 1882 in Troyes, France, died 1960, Troyes) was a French artist. He was a painter considered a member of Les Fauves, and then a major artist in glass.
Marinot's father was a bonnet maker. Maurice did poorly in school, but convinced his parents to send him to the École des Beaux-Arts in 1901 to train as a painter under French painter, Fernand Cormon. He left art school after his work wasn't accepted by the standards of the day. In 1905 he returned to Troyes, where he stayed for the rest of his life.
In 1911 he visited his first glass shop, owned by his friends, the Viard brothers. He fell in love with the contrasts between colors, hot and cold, the play of light and fire. He began designing bowls, vases and bottles which his friends made, then he painted enamels on the surface.
In 1912 he had his first exhibition and by 1913 critics were praising his work, saying “It has been a long time since an innovation of such great importance has come to enrich the art of glass” (Leon Rosenthal, Gazette des Beaux-Arts, 1913). From that year he stopped exhibiting his paintings.
The Viard brothers give Marinot his own bench and a set of tools, so he learned quickly how to blow glass. In 1923 he stopped using enamels, and explored the use of bubbles, metal leaf, and colored glass. His production process was “Long and fraught with danger” and one piece could take as long as a year to reach his standards.
The Viard Glassworks closed in 1937. Marinot was ill, and never touched glass again, though he did continue to paint. In the 1944 Allied bombing of Troyes there was direct hit on his studio, destroying over 2,500 paintings, thousands of drawings, and much of his glass. His sister's extensive collection was not damaged.
Major donation of Maurice Marinot (glass and paintings) was made by Pierre and Denise Levy to the Museum of Modern Art in Troyes in 1976. Florence, Marinot's daughter also gave major Maurice Marinot pieces of art to the city of Rennes Museum of Art.
A 20 piece glass collection by Marinot including vases, goblets and stoppered bottles dating to 1926-27 was gifted to the National Gallery of Ireland in 1970.

Alain_Jacquet

Alain Jacquet (22 February 1939 – 4 September 2008) was a French artist representative of the Nouvelle Figuration movement that was linked to the American Pop Art movement.
Jacquet lived in New York and Paris and taught at the École Nationale Supérieure des Arts Décoratifs. He was married (1992) to Sophie Matisse, great-granddaughter of the French Fauvist artist Henri Matisse. They had one daughter, Gaïa Jacquet-Matisse. Jacquet's art is displayed in the Museum of Modern Art in New York, and the Centre Pompidou, the Musée National d'Art Moderne, in Paris. Jacquet died of esophageal cancer in Manhattan.