19th-century male writers

Aleksander_Świętochowski

Aleksander Świętochowski (18 January 1849 – 25 April 1938) was a Polish writer, educator, and philosopher of the Positivist period that followed the January 1863 Uprising.
He was widely regarded as the prophet of Polish Positivism, spreading in the Warsaw press the gospel of scientific inquiry, education, economic development, and equality of rights for all, without regard to sex, class, ethnic origin or beliefs. His was a nuanced vision, however, that took account of the shortcomings of human nature; like H.G. Wells, he advocated that power in society be wielded by the most enlightened among its members.

Antonio_Petito

Antonio Petito (22 June 1822, in Naples – 24 March 1876) was an Italian stage actor and playwright. He was a notable Pulcinella performer, and an important figure of Neapolitan theater in the 19th century. Petito was the son of another Pulcinella, Petito Salvatore and Donna Peppa. It was his father who initiated him with wearing a mask during a theatrical performance at the Teatro San Carlino in Naples. Petito first performed at the Teatro San Ferdinando in 1831. Petito was not only known for his acting facial expressions, but also for his work as a playwright despite being illiterate. Unable to write well, he used assistants, mostly commonly Giacomo Marulli. After his death, the San Carlino theater remained open for only a short time, having lost its most well known performer.
Neapolitan Carousel is a 1954 Italian comedy film about Antonio "Pulcinella" Petito. In 1982, the RAI dedicated a seven-part television drama, Petito story, to him. He was the great grandfather of Enzo Petito, a character actor in Sergio Leone classic 1966 Spaghetti Western film The Good, the Bad and the Ugly.

Alexandre_Dechet

(Hyppolyte) Louis Alexandre Dechet (alternatively, spelled Dechez; Lyon, 20 January 1801 - Lier, 18 October 1830) was a French actor and is regarded the author of the lyrics of the Brabançonne, the Belgian national anthem. His pseudonym was Jenneval, possibly named after the drama Jenneval, ou le Barnevelt français (1769) of Louis Sébastien Mercier.
Dechet worked in Ajaccio, Marseille and in 1826 at the Paris Odéon. Via Lille he finally came to Brussels, where he played at La Monnaie. In 1828 he returned to Paris in order to work at the Comédie Française, but returned to Brussels immediately after the July Revolution in 1830. He there served with the city guard which was responsible for maintaining law and order.
Dechet is said to have written the text of the Brabançonne during the first revolutionary gatherings at the café "L'Aigle d'Or" in the Brussels Greepstraat in August 1830, shortly after the performance of the opera La Muette de Portici, which triggered the Belgian revolution.
During the Belgian Revolution Dechet became a volunteer in the revolutionary army and joined the corps of Frenchman Charles Niellon. He died during a combat against the Dutch near Lier.
On the Place des Martyrs/Martelaarsplein in Brussels, a column honouring Dechet is to be found, which was created by the sculptor Alfred Crick and inaugurated in 1897.