Danish painter stubs

Franciska Clausen (7 January 1899 – 5 March 1986) was a Danish painter who was involved in the abstract art movement of the early twentieth century.
Clausen studied at the Die Grossherzogliche sächsische Hochschule für bildende Kunst in Weimar, Germany (1916–17), at the Women's Academy in Munich (1918–19), at the Royal Danish Academy of Fine Arts, in Copenhagen, Denmark (1920–21), and under Hans Hofmann at the Hofmann Schule Fur Moderne Kunst in Munich (1921–22). She subsequently sought out private lessons from László Moholy-Nagy, Berlin (Sept. – Dec. 1922), from Alexander Archipenko in Berlin in 1923, and under Fernand Léger in Paris (1924–25). She was inspired by László Moholy-Nagy's Constructionist collages. From 1924 to 1928 in Paris, a cubist style can be seen in her paintings with a base in Léger's 'machine style art'. Between 1924 and 1928, Clausen worked in Paris. In the paintings from this period such as Konstruktiv modellstudie (1925), Contre-Composition (1928), and Komposition (1927), the influence of Léger's machine style is clearly visible. In 1933, she taught at the Tegne- og Kunstindustriskolen for Kvinder (Drawing and applied arts school for women) in Copenhagen. Throughout her career, Clausen passed through most of the stages in the development of modern art, and her paintings show elements of Neue Sachlichkeit, Constructivism, Cubism, Neo-plasticism, Surrealism and Purism, though her greatest influence was Léger.

Jens Jørgen Thorsen (2 February 1932 Holstebro – 15 November 2000) was a Danish artist, director, and jazz musician whose works sometimes created controversy.
Thorsen began his artistic career attending periodically the Royal Danish Academy of Fine Arts. Jens Jørgen Thorsen was part of the Situationist International Movement, in particular his happenings and collaboration with Jørgen Nash are well documented.
Thorsen also wrote, directed, and starred in a number of films, the most notable of them being Quiet Days in Clichy (Stille dage i Clichy,1970), based on the Henry Miller novel.
In painting, Thorsen painted a number of abstract works, which have become increasingly collectible. He also stirred up controversy with a work depicting Jesus in a manner some considered pornographic. Thorsen planned a film called The Many Faces of Jesus, later The Sex Life of Jesus, and was to have involved both heterosexual and homosexual acts. The film plans met with strong national and international protests and accusations of blasphemy resulting in the Danish Film Academy withdrawing its financial support. The film was to have been made in Britain, but it faced intense opposition from Christian morality campaigner Mary Whitehouse, pressure groups, as well as from the Queen, then Prime Minister James Callaghan, the Archbishop of Canterbury Donald Coggan, and Pope Paul VI, who called the film "an insult ... which transforms Christ into sacrilegious bait for filthy falseness". The Return of Jesus (1992) (a completely different project) was made after the ban on the original project was rescinded in 1990. The controversy, and particularly Thorsen's reported interest in producing the film in the United States, led to a decades-long hoax that the release of such a film was imminent.Thorsen was also a jazz musician and co-founder of the group Papa Bue's Viking Jazzband.