Peter Härtling (German: [ˈpeːtɐ ˈhɛʁtlɪŋ] ; 13 November 1933 – 10 July 2017) was a German writer, poet, publisher and journalist. He received the Order of Merit of the Federal Republic of Germany for his major contribution to German literature.
Herbert Reinecker (24 December 1914 – 27 January 2007) was a very prolific German novelist, dramatist, and screenwriter.
Felix Ludwig Julius Dahn (9 February 1834 – 3 January 1912) was a German law professor and nationalist author, poet and historian.
Oskar Maria Graf (July 22, 1894 – June 28, 1967) was a German-American writer who wrote several narratives about life in Bavaria, mostly autobiographical. In the beginning, Graf wrote under his real name Oskar Graf. After 1918, his works for newspapers were signed with the pseudonym Oskar Graf-Berg; only for those of his works he regarded as "worth reading", he used the name Oskar Maria Graf.
Richard Fedor Leopold Dehmel (18 November 1863 – 8 February 1920) was a German poet and writer.
Walter Georg Alfred Hasenclever (8 July 1890 – 22 June 1940) was a German Jewish Expressionist poet and playwright. His works were banned when the Nazis came to power and he went into exile in France. There he was imprisoned as a "foreign enemy". He died in Les Milles (Camp des Milles) near Aix-en-Provence.
Paul Gerhard Natorp (24 January 1854 – 17 August 1924) was a German philosopher and educationalist, considered one of the co-founders of the Marburg school of neo-Kantianism. He was known as an authority on Plato.
Stefan Paul Andres (26 June 1906 – 29 June 1970) was a German novelist.
He was nominated for the Nobel Prize in Literature.As the Nazi regime flexed its power, Andres moved away to Italy in 1937, returning to Germany 13 years later. He was a widely read German writer in the post-World War II period.
Wolfgang Borchert (German: [ˈvɔlfɡaŋ ˈbɔʁçɐt]; 20 May 1921 – 20 November 1947) was a German author and playwright whose work was strongly influenced by his experience of dictatorship and his service in the Wehrmacht during the Second World War. His work is among the best-known examples of the Trümmerliteratur movement in post-World War II Germany. His most famous work is the drama Draußen vor der Tür (The Man Outside), which he wrote soon after the end of World War II. His works are uncompromising on the issues of humanity and humanism. He is one of the most popular authors of the German postwar period; his work continues to be studied in German schools.
Joachim Ringelnatz is the pen name of the German author and painter Hans Bötticher
(7 August 1883, Wurzen, Saxony – 17 November 1934, Berlin). His pen name Ringelnatz is usually explained as a dialect expression for an animal, possibly a variant of Ringelnatter, German for grass snake or more probably the seahorse for winding ("ringeln") its tail around objects. The seahorse is called Ringelnass (nass = wet) by mariners, an occupation to which he felt kinship. He was a sailor in his youth and spent the First World War in the Navy on a minesweeper.
In the 1920s and 1930s, he worked as a Kabarettist, i.e., a kind of satirical stand-up comedian.
He is best known for his wry poems using word play and sometimes bordering on nonsense poetry. Some of them are similar to Christian Morgenstern's, but more satirical in tone and occasionally subversive. His most popular character is the anarchic sailor Kuddel Daddeldu with his drunken antics and disdain for authority.
In his final thirteen years Ringelnatz was also a dedicated and prolific visual artist. The bulk of his art went missing during World War II, but over 200 paintings and drawings survived. In the 1920s some of his work was exhibited at the Akademie der Künste along with that of his contemporaries Otto Dix and George Grosz. Ringelnatz illustrated his own novel called "...liner Roma..." (1923), the title of which is a doubly truncated "Berliner Roman" (Berlin novel), for "Berlin novels usually have no decent beginning and no proper ending." ("Berliner Romane haben meist keinen ordentlichen Anfang und kein rechtes Ende.")
In 1933, he was banned by the Nazi government as a "degenerate artist".
Ringelnatz's widow Leonharda Pieper married Julius Gescher after Ringelnatz's death, and their son Norbert managed Ringelnatz's legacy and assembled a collection. Norbert donated the collection to the Joachim Ringelnatz Museum in Cuxhaven in 2019.