20th-century composers

Joaquim_Zamacois

Joaquín Zamacois y Soler (14 December 1894 in Santiago de Chile – 8 September 1976 in Barcelona) was a Chilean-Spanish composer, music teacher and author. He comes from a well-known family of Spanish artists.

Jorge_Urrutia

Jorge Urrutia Blondel (September 17, 1905 – July 5, 1981), was a Chilean composer, educator and writer, born in 1905. He has composed ballet music, symphonic poems, and works for piano and for voice. He is regarded as a Chilean nationalist in his music, but nevertheless the influence of Claude Debussy and Maurice Ravel can be detected in his orchestration and harmony. He co-authored, with S. Claro, Historia de la musica en Chile (History of Music in Chile), published in 1971.

Francisco_Gabilondo_Soler

Francisco Gabilondo Soler (October 6, 1907, Orizaba, Veracruz, Mexico – December 14, 1990, Texcoco, State of Mexico) was a Mexican composer and performer of children's songs. He recorded and performed those songs under the name of Cri-Cri: El Grillito Cantor ("Cri-Cri: The Little Singing Cricket").

Finn_Mortensen

Finn Einar Mortensen (January 6, 1922 – May 23, 1983) was a Norwegian
composer, critic and educator.Mortensen was born in Oslo. His parents were publisher Ernst Gustav Mortensen (1887–1966) and Anna Marie Damnæs (1886–1960). Mortensen grew up in a publishing environment and it was at first expected that he would go into his father's publishing firm, Ernst G. Mortensens Forlag A/S. He studied harmony with Thorleif Eken (1900–1955), composition with Klaus Egge and with Niels Viggo Bentzon at The Royal Danish Academy, as well as the piano and double bass at the Oslo Conservatory of Music. He also participated in the Darmstadt summer school and in the classes conducted by Karlheinz Stockhausen at the Studio für Elektronische Musik in Cologne.The first public presentation of one of Mortensen's compositions was the Trio for Strings, Op. 3, which was played at the Young Nordic Music Festival in Oslo in 1950. In April 1954 he had his debut as a composer, along with Øistein Sommerfeldt. He was the leader of the group Ny Musikk, a Norwegian advocacy group for contemporary music, between 1961 and 1964, and between 1966 and 1967. From 1963-73, he was a music critic in Dagbladet, and he was also for many years correspondent for the major German magazine Melos. When the Norwegian Concert Institute was established in 1968, he became the institution's first director. From 1970 onward, he taught at the Oslo Conservatory of Music, becoming Norway's first professor of composition in 1973.
Rolf Wallin, Jon Mostad, Lasse Thoresen, Terje Bjørklund and Synne Skouen are among his students.
Until about 1953, Mortensen's music was mostly influenced by neoclassicism and expressionism. It later assimilated twelve-tone and aleatoric influences, creating what Mortensen termed a "neo-serial" style. From a point of departure in neo-classicism he became deeply involved with serial techniques. In Norway, Mortensen's works are still regularly performed by leading orchestras. In the rest of the world, however, he is less well-known.

Guty_Cárdenas

Guty Cárdenas (1905–1932; full name Augusto Alejandro Cárdenas Pinelo) was a Mexican composer, singer and guitarist, noted as a representative of the cancion yucateca style of music. His well-known works include "Nunca", with lyrics by Ricardo López Méndez. He spent several years in the US, recording with Columbia Records.
He was killed, at the age of 27, by a stray bullet during a gunfight in a Mexico City bar.The 1989 Aki Kaurismäki film Leningrad Cowboys Go America is dedicated to his memory.

Jolly_Kramer-Johansen

Jolly Kramer-Johansen (7 May 1902 – 17 September 1968) was a Norwegian composer. He composed music for several films, including De vergeløse from 1939, Bastard from 1940, Tørres Snørtevold from 1940, Den farlige leken from 1942, and Bustenskjold from 1958. Among his song compositions are Frihetens forpost, with lyrics by Arne Paasche Aasen.

Juan_Quintero_Muñoz

Juan Quintero Muñoz (1903–1980) was a Spanish film score composer. At six he started taking lessons in music theory and piano with a private teacher. At nine years old, his family moved to Madrid, where he continued his musical training.